Sam Pollard

Sam Pollard is an accomplished feature film and television video editor, and documentary producer/director whose work spans almost 30 years. His first assignment as a documentary producer came in 1989 for Henry Hamptonโ€™s Blackside production ๐˜Œ๐˜บ๐˜ฆ๐˜ด ๐˜ฐ๐˜ฏ ๐˜ต๐˜ฉ๐˜ฆ ๐˜—๐˜ณ๐˜ช๐˜ป๐˜ฆ ๐˜๐˜: ๐˜ˆ๐˜ฎ๐˜ฆ๐˜ณ๐˜ช๐˜ค๐˜ข ๐˜ข๐˜ต ๐˜ต๐˜ฉ๐˜ฆ ๐˜™๐˜ข๐˜ค๐˜ช๐˜ข๐˜ญ ๐˜Š๐˜ณ๐˜ฐ๐˜ด๐˜ด๐˜ณ๐˜ฐ๐˜ข๐˜ฅ๐˜ด. For one of his episodes in this series, he received an Emmy. Eight years later, he returned to Blackside as co-executive producer/producer of Hamptonโ€™s last documentary series, ๐˜โ€™๐˜ญ๐˜ญ ๐˜”๐˜ข๐˜ฌ๐˜ฆ ๐˜”๐˜ฆ ๐˜ˆ ๐˜ž๐˜ฐ๐˜ณ๐˜ญ๐˜ฅ: ๐˜š๐˜ต๐˜ฐ๐˜ณ๐˜ช๐˜ฆ๐˜ด ๐˜ฐ๐˜ง ๐˜ˆ๐˜ง๐˜ณ๐˜ช๐˜ค๐˜ข๐˜ฏ-๐˜ˆ๐˜ฎ๐˜ฆ๐˜ณ๐˜ช๐˜ค๐˜ข๐˜ฏ ๐˜ˆ๐˜ณ๐˜ต๐˜ช๐˜ด๐˜ต๐˜ด ๐˜ข๐˜ฏ๐˜ฅ ๐˜Š๐˜ฐ๐˜ฎ๐˜ฎ๐˜ถ๐˜ฏ๐˜ช๐˜ต๐˜บ. For the series, Pollard received a Peabody Award. Between 1990 and 2010, Pollard edited a number of Spike Leeโ€™s films: ๐˜”๐˜ฐโ€™ ๐˜‰๐˜ฆ๐˜ต๐˜ต๐˜ฆ๐˜ณ ๐˜‰๐˜ญ๐˜ถ๐˜ฆ๐˜ด, ๐˜‘๐˜ถ๐˜ฏ๐˜จ๐˜ญ๐˜ฆ ๐˜๐˜ฆ๐˜ท๐˜ฆ๐˜ณ, ๐˜Ž๐˜ช๐˜ณ๐˜ญ 6, ๐˜Š๐˜ญ๐˜ฐ๐˜ค๐˜ฌ๐˜ฆ๐˜ณ๐˜ด and ๐˜‰๐˜ข๐˜ฎ๐˜ฃ๐˜ฐ๐˜ฐ๐˜ป๐˜ญ๐˜ฆ๐˜ฅ. Pollard and Lee also co-produced a number of documentary productions for the small and big screen: ๐˜š๐˜ฑ๐˜ช๐˜ฌ๐˜ฆ ๐˜“๐˜ฆ๐˜ฆ ๐˜—๐˜ณ๐˜ฆ๐˜ด๐˜ฆ๐˜ฏ๐˜ต๐˜ด ๐˜”๐˜ช๐˜ฌ๐˜ฆ ๐˜›๐˜บ๐˜ด๐˜ฐ๐˜ฏ, a biographical sketch for HBO for which Pollard received an Emmy; ๐˜๐˜ฐ๐˜ถ๐˜ณ ๐˜“๐˜ช๐˜ต๐˜ต๐˜ญ๐˜ฆ ๐˜Ž๐˜ช๐˜ณ๐˜ญ๐˜ด, a feature-length documentary about the 1963 Birmingham church bombings that was nominated for an Academy Award; and ๐˜ž๐˜ฉ๐˜ฆ๐˜ฏ ๐˜›๐˜ฉ๐˜ฆ ๐˜“๐˜ฆ๐˜ท๐˜ฆ๐˜ฆ๐˜ด ๐˜‰๐˜ณ๐˜ฐ๐˜ฌ๐˜ฆ, a four-part documentary that won numerous awards, including a Peabody and three Emmy Awards.

Five years later, he co-produced and supervised the edit on the follow up to Levees, ๐˜๐˜ง ๐˜Ž๐˜ฐ๐˜ฅ ๐˜๐˜ด ๐˜ž๐˜ช๐˜ญ๐˜ญ๐˜ช๐˜ฏ๐˜จ ๐˜ˆ๐˜ฏ๐˜ฅ ๐˜‹๐˜ข ๐˜Š๐˜ณ๐˜ฆ๐˜ฆ๐˜ฌ ๐˜‹๐˜ฐ๐˜ฏโ€™๐˜ต ๐˜™๐˜ช๐˜ด๐˜ฆ. Since 2012, Pollard has produced and directed ๐˜š๐˜ญ๐˜ข๐˜ท๐˜ฆ๐˜ณ๐˜บ ๐˜‰๐˜บ ๐˜ˆ๐˜ฏ๐˜ฐ๐˜ต๐˜ฉ๐˜ฆ๐˜ณ ๐˜•๐˜ข๐˜ฎ๐˜ฆ (2012), a 90- minute documentary for PBS that was in competition at the Sundance Film Festival; ๐˜ˆ๐˜ถ๐˜จ๐˜ถ๐˜ด๐˜ต ๐˜ž๐˜ช๐˜ญ๐˜ด๐˜ฐ๐˜ฏ: ๐˜›๐˜ฉ๐˜ฆ ๐˜Ž๐˜ณ๐˜ฐ๐˜ถ๐˜ฏ๐˜ฅ ๐˜–๐˜ฏ ๐˜ž๐˜ฉ๐˜ช๐˜ค๐˜ฉ ๐˜ ๐˜š๐˜ต๐˜ข๐˜ฏ๐˜ฅ (2015), a 90-minute documentary for American Masters; ๐˜›๐˜ธ๐˜ฐ ๐˜›๐˜ณ๐˜ข๐˜ช๐˜ฏ๐˜ด ๐˜™๐˜ถ๐˜ฏ๐˜ฏ๐˜ช๐˜ฏโ€™ (2016), a feature-length documentary that premiered at the Full Frame Film Festival; and ๐˜›๐˜ฉ๐˜ฆ ๐˜›๐˜ข๐˜ญ๐˜ฌ: ๐˜™๐˜ข๐˜ค๐˜ฆ ๐˜ช๐˜ฏ ๐˜ˆ๐˜ฎ๐˜ฆ๐˜ณ๐˜ช๐˜ค๐˜ข (2017) for PBS.