Nightly Met Opera Streams: Gluck’s Orfeo ed Euridice

A scene from Act 2 of Gluck's "Orfeo ed Euridice" with Stephanie Blythe (with guitar) as Orfeo. Photo: Ken Howard/Metropolitan Opera Photo taken during the final dress rehearsal at the Metropolitan Opera in New York City on January 7, 2009.
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The immortal Orpheus myth—something of an origin story for the power of music—has inspired numerous operas and other compositions, including this 1762 masterpiece by Christoph Willibald Gluck. A prime example of what has come to be known as “reform opera,” Orfeo ed Euridice strips away the self-conscious virtuosity and labyrinthine plotlines common in earlier 18th-century opera, replacing them with musical and emotional directness intended to draw the audience more deeply into the drama.

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All Theater Programming is supported in part by Ellen Myers, Marders, the Daryl & Steven Roth Foundation, and funding from The Ellen and James S. Marcus Endowment for Musical Programming, The Harold and Mimi Steinberg Charitable Trust, Hess Philanthropic Fund, The Melville Straus Family Endowment, The Schaffner Family Foundation, and Vital Projects Fund, with additional support from Brown Harris Stevens, Saunders & Associates, and public funds provided by Suffolk County.
The Met Opera simulcasts at Guild Hall are made possible in part through the generosity of:
Grand Tier: Dr. Ralph Gibson, in memory of Andy Jacobyansky, who generously shared his passion, knowledge and support for the opera. The Ellen and James S. Marcus Endowment for Musical Programming, Phyllis Davis, Howie and Louise Phanstiel, The East Hampton Star, and Norbert Weissberg, in memory of his brother, Dr. Joseph H. Weissberg, a Wagner scholar.
Dress Circle: Maureen Bluedorn, Norma Giorgetti in memory of Mary-Anne Szabaga, Barbara Horgan, Patti Kenner, Judy and Alex Laughlin, Jim Potter, David Seeler and Ngaere Macray, Maryam K. Seley, and Irene and Sidney Silverman.

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