Andrea Cote is a multi-disciplinary artist living in New York. She has exhibited her work in North and South America at venues including The Philadelphia Museum of Art, Islip Art Museum, Delaware Art Museum, Rotunda Gallery, Abrons Arts Center, The Print Center, The Moore Gallery, and PanAmerican Art Projects. Her performances have been presented at The Watermill Center, The Neuberger Museum, The Philadelphia Fringe Festival, The Peekskill Project, Chashama, Scope Art Fairs, The Dumbo Arts Festival, and Photo Buenos Aires. Her work has been reviewed in The New York Times, The Miami Herald, The New Times, Newsday, and Artinfo.com, with featured profiles in Wynwood Art Magazine, The East Hampton Star, The Southampton Press, and The Suffolk Times. She is the recipient of grants from the Robert Blackburn Printmaking Workshop and the Barbara Deming Memorial Fund, as well as two SOS grants from the New York Foundation for the Arts and NYSCA Creative Individuals Grants in 2014 and 2018.
In the spring of 2012 she had a 13-year survey of her work, “Body of Evidence,” at Dowling College. In the summer of 2013 she presented “Eyes on Main Street,” a large-scale multimedia community public project for downtown Riverhead. In 2015 her temporary site-specific public project for Greenport, NY “A Port of Views,” was installed in Mitchell Park. “The Radiance Project,” supported by a residency at Southampton Arts Center, was a community-centered year-long project in 2018 for the East End of Long Island involving collective dance & printmaking with a final installation in the SAC Theater.
A passionate educator, she currently holds a position as the Educational Program Coordinator at The Watermill Center, an interdisciplinary laboratory for the arts in Watermill, New York. She lives in Hampton Bays, NY with her husband and son.